My grandfather was a simple man. Like many members of my family, he loved three things: booze, cigarettes, and weed. He was a trucker by trade, and his last wish was to have his ashes scattered over the Coquihalla highway. This summer, we lit a cigarette, a joint, and cracked a beer, and watched his ashes roll down the hot asphalt while giant rigs sped by. We also took an amazing road trip. I explored corners of the country I had never seen, and some I hoped I would never see again. There were moments when I stared out the window of the car and marveled at the rarity of the opportunity to explore BC with my family as an adult. I can only hope my final journey is one that is one-tenth as inspiring, humbling, fun, funny, and stunningly beautiful. RIP Grandpa.
~sarah p.
Tuesday, July 28, 2015
Jams Of The Week (Slum Type-A Way Edition):
p.s. Slum Village's 'Yes' album and Pete Rock's 'PeteStrumentals 2' being released within a week of each other still has my head spinning. Yo, I'm going nuuuuuts over here.
Tuesday, July 14, 2015
The Artist And The Ego.
I caught the last half of '8 Mile' on Friday night. My Netflix was broken,
and I panicked and furiously searched through the channels for
something that wasn't 'Diners, Drive-Ins, and Dives' or 'Friends' reruns. I
was only a few minutes into 8 Mile, the tough-as-nails with a
heart-of-gold protagonist that will stop at nothing to become a
musician, before I realized that Eminem's 2002 film debut may be the
biggest wank-piece of all time.
I guess you may be asking yourself, what, exactly, do I mean by 'wank-piece'? I mean that there may has well been a '8 Mile' DVD commentary of Eminem just jacking it for two hours straight to his hard-knocks, against-all-odds biographical piece.
Then, it started to become clear in my head. 50 Cent did it in 'Get Rich Or Die Trying' , considerably worse than Em, but he did it. We watched Weezy kick it documentary-style with 'The Carter', where the word 'genius' was thrown around every third sentence. Outside of the film world, we have watched Robert Frank document his travels through the southern US in 'The Americans' with striking black and white photos, the delightful David Sedaris poke fun at life's foibles in his yearly publishing of essays, and parents that call up the news because they are sure that their child is the next Picasso. That is to say, I think that all art is built on a solid foundation of ego and insecurity.
The very nature of publicly-released art, to put it in different terms, is to create something and to think it is so amazing and wonderful and special that the whole world must see it. Tacking a painting on the wall, or publishing a blog post, or keeping a carefully curated Instagram is a way of shouting to the world "I matter! There are many works of art on the world, but mine is important! Please think mine is important! Please?"
I recall the first time anyone ever told me I was a good writer. We had been tasked to write a short story about Halloween in second grade. I spent a weekend crafting a picture book about a bunch of missing pumpkins. When I got to school on Monday, I watched the rest of the class hand in single-page stories. I walked my hand-bound book to the front of the class, and watched the sparkle in the teacher's eye as I placed it into the pile. I could've just thrown together a quick Halloween tale, but I spent the entire weekend buried in homework, and why? Because I wanted to feel important. I wanted to hear that this was my calling. I wanted to impress someone, everyone.
The creative mind is held at high regard in our culture. Take for example, most musicians nowadays are also filmmakers, modern artists, or actors, and we just accept this, because they are good at one aspect of creativity, and must be good at others. It is a rat-race to be the most influential, the most profound. Last year, Miley Cyrus took all of the stuff that people throw to her on stage, glued it together, and the art world collectively jizzed. We, as a society, stroked this ego-centric project, instead of laughing it off and secretly hoping she didn't ever ditch the Hannah Montana act. True artistic critique flew out the window a long time ago, in favor of public recognizability and media presence.
What does writing mean to me? It means putting down my thoughts and feelings on paper, stringing together words, celebrating the English language. I've always said that nobody reads this blog, and I like it that way, but the question begs to be ask: why would I spend hours a week in front of a screen, typing and editing, if I didn't inherently care about how I would be portrayed in the world as a writer? Why would I bother? Let's not kid ourselves. As I type this, I may as well be wanking it with the other hand (figuratively, you assholes. Don't be gross).
~sarah p.
I guess you may be asking yourself, what, exactly, do I mean by 'wank-piece'? I mean that there may has well been a '8 Mile' DVD commentary of Eminem just jacking it for two hours straight to his hard-knocks, against-all-odds biographical piece.
Then, it started to become clear in my head. 50 Cent did it in 'Get Rich Or Die Trying' , considerably worse than Em, but he did it. We watched Weezy kick it documentary-style with 'The Carter', where the word 'genius' was thrown around every third sentence. Outside of the film world, we have watched Robert Frank document his travels through the southern US in 'The Americans' with striking black and white photos, the delightful David Sedaris poke fun at life's foibles in his yearly publishing of essays, and parents that call up the news because they are sure that their child is the next Picasso. That is to say, I think that all art is built on a solid foundation of ego and insecurity.
The very nature of publicly-released art, to put it in different terms, is to create something and to think it is so amazing and wonderful and special that the whole world must see it. Tacking a painting on the wall, or publishing a blog post, or keeping a carefully curated Instagram is a way of shouting to the world "I matter! There are many works of art on the world, but mine is important! Please think mine is important! Please?"
I recall the first time anyone ever told me I was a good writer. We had been tasked to write a short story about Halloween in second grade. I spent a weekend crafting a picture book about a bunch of missing pumpkins. When I got to school on Monday, I watched the rest of the class hand in single-page stories. I walked my hand-bound book to the front of the class, and watched the sparkle in the teacher's eye as I placed it into the pile. I could've just thrown together a quick Halloween tale, but I spent the entire weekend buried in homework, and why? Because I wanted to feel important. I wanted to hear that this was my calling. I wanted to impress someone, everyone.
The creative mind is held at high regard in our culture. Take for example, most musicians nowadays are also filmmakers, modern artists, or actors, and we just accept this, because they are good at one aspect of creativity, and must be good at others. It is a rat-race to be the most influential, the most profound. Last year, Miley Cyrus took all of the stuff that people throw to her on stage, glued it together, and the art world collectively jizzed. We, as a society, stroked this ego-centric project, instead of laughing it off and secretly hoping she didn't ever ditch the Hannah Montana act. True artistic critique flew out the window a long time ago, in favor of public recognizability and media presence.
What does writing mean to me? It means putting down my thoughts and feelings on paper, stringing together words, celebrating the English language. I've always said that nobody reads this blog, and I like it that way, but the question begs to be ask: why would I spend hours a week in front of a screen, typing and editing, if I didn't inherently care about how I would be portrayed in the world as a writer? Why would I bother? Let's not kid ourselves. As I type this, I may as well be wanking it with the other hand (figuratively, you assholes. Don't be gross).
~sarah p.
Sunday, July 05, 2015
Ten Stampede Inevitabilites:
1. If you do not work at an oil company, you are going to spend the next week jealous of those who are expected to be at "work" at 9AM sharp, with the first cold Budweiser of the day in their fist.
2. Bars start serving booze at 8AM, so the morning walk to work is about 78% more sexual-harrassy than usual.
3. If you are allergic to decorative bails of hay, be prepared to spend the next week in itchy pre-anaphylaxix.
4. Free pancakes are good, but waiting for twenty minutes at the mall, behind a bunch of old ladies in western wear, to get a free pancake is actually an exercise in patience.
5. If it CAN be deep-fried, you best believe that Stampede food vendor are going to try it, even if the end result is going to be far from delicious.
6. Any and all ex-boyfriends, in the middle of a three-day Stampede bender, will fire off a text to see if you are Stampeded enough to be DTF.
7. "Western wear" can be very loosely interpreted. Very.
8. Even the rowdiest cowpokes have their limit, as illustrated by the adorable sleepy Stampeders passed out on the benches of the local park in the morning, and the piles and piles of puke EVERYWHERE.
9. Even if you only live a few blocks from where the fireworks are being set off, you will miss them every single night.
10. The cultural appropriation will be out. of. hand.
~sarah p.
2. Bars start serving booze at 8AM, so the morning walk to work is about 78% more sexual-harrassy than usual.
3. If you are allergic to decorative bails of hay, be prepared to spend the next week in itchy pre-anaphylaxix.
4. Free pancakes are good, but waiting for twenty minutes at the mall, behind a bunch of old ladies in western wear, to get a free pancake is actually an exercise in patience.
5. If it CAN be deep-fried, you best believe that Stampede food vendor are going to try it, even if the end result is going to be far from delicious.
6. Any and all ex-boyfriends, in the middle of a three-day Stampede bender, will fire off a text to see if you are Stampeded enough to be DTF.
7. "Western wear" can be very loosely interpreted. Very.
8. Even the rowdiest cowpokes have their limit, as illustrated by the adorable sleepy Stampeders passed out on the benches of the local park in the morning, and the piles and piles of puke EVERYWHERE.
9. Even if you only live a few blocks from where the fireworks are being set off, you will miss them every single night.
10. The cultural appropriation will be out. of. hand.
~sarah p.
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